Hamilton in 7 Minutes

By RANGE a cappella
Album not known

RANGE a cappella
{Transition to: Alexander Hamilton}


[AARON BURR]:
How does a bastard, orphan, son of a whore and a Scotsman, dropped in the middle of a forgotten spot in the Caribbean by providence, impoverished, in squalor, grow up to be a hero and a scholar?

What's your name man?

[ALEXANDER HAMILTON]:
Alexander Hamilton. My name is Alexander Hamilton

And there's a million things I haven't done, but just you wait

Just you wait, just you, just you wait!

{Transition to: My Shot}

[COMPANY]:
I am not throwing away my shot! (not throwing away my)
I am not throwing away my shot! (Not throwing away my)

Hey-yo I'm just like my country I'm young, scrappy and hungry and

I'm not throwing away my shot! ( Ever, ever)

[JOHN LAURENS] (ALEXANDER, HERCULES, LAFAYETTE):
Raise a glass to the four of us!( To the four of us)

Tomorrow there'll be more of us! (There'll be more of us)

Telling the story of-

{Transition to: Schuyler Sisters}

[COMPANY]:
Work work!

[ANGELICA]:
Angelica!

[COMPANY]:
Work work!

[ELIZA]:
Eliza!

[PEGGY]:
And Peggy!

[COMPANY]:
(Work work,)

The Schuyler Sisters!

[ANGELICA]:
Eliza, I'm looking for a mind at

[SCHUYLER SISTERS (COMPANY)]:
(Work work) Hey!

(Work work) Hey!

(Work work) hey!

[SCHUYLER SISTERS]:
In the greatest city in the greatest city in the world! In the world!
{Transition to: You'll Be Back}

[KING GEORGE]:
Oceans rise, empires fall, we have seen each other through it all!

And when push comes to shove

I will send a fully armed battalion to remind you of my love!

Da da da da da-da! Da, dada da da-yada, da da da dayyyya, da da da-da daaayada dada da-

{Transition to: Right Hand Man}

[GEORGE WASHINGTON]:
We are outgunned!

[COMPANY]:
What?

[GEORGE WASHINGTON]:
Outmanned!

[COMPANY]:
What?

[GEORGE WASINGTON]:
Outnumbered, outplanned!

[COMPANY]:
Buck buck buck buck buck!

[GEORGE WASHINGTON]:
We gotta make an all-out stand!

Hey yo, I'm gonna need a right hand man!

{Transition to: Helpless}

[ELIZA]:
Ooh! I do I do I do I do! Hey!

Ooh, I do I do I do I do! Boy, you got me helpless!

I look into your eyes and the sky's the limit I'm....

Down for the count and I'm drowning in ‘em!

{Transition to: Satisfied}

[ANGELICA (COMPANY)]:
To your union! (To the union, to the revolution!)

And the hope that you provide! ( you provide, you provide,)

May you always! ( always)

Be satisfied! (Satisfied, satisfied)

{Transition to: Wait For It}

[AARON BURR (COMPANY)]:

Life doesn't discriminate, between the sinners and the saints, it takes and it takes and it takes and it takes!

We rise, and we fall!

(And we keep living anyways, we rise and we fall and we break and we make our mistakes!)

And if there's a reason I'm still alive when so many have died, then I'm willing to-

{Transition In and Out of: Wait for it, and Ten Duel Commandments}

[COMPANY (AARON BURR)]:

One, two, three, four, five, six, seven, eight, nine!

(Wait for it, wait for it, wait)

One, two, three, four, five, six, seven, eight, nine!

(Wait for it, wait for it, wait) It's the ten duel commandments!

{Transition to: That Would Be Enough}

[ELIZA]:

Oh! Let me be a part of the narrative!

In the story they will write someday!

Let this moment be the first chapter, the moment you decide to stay!

That would be enough-

{Transition to: Guns and Shipa}

[LAFAYETTE (COMPANY)]:

(LAFAYETTE!)

I'm taking this horse by the reins, making redcoats redder with bloodstains!

(LAFAYETTE!)

And I'm never gonna stop until I make ‘em drop and burn ‘em up and scatter the remains I'm

(LAFAYETTE!)

Watch me engagin' ‘em, escapin' ‘em, enragin' ‘em! I'm

(LAFAYETTE!)

I go to France for more funds, I come back with more Guns, and ships!


[GEORGE WASHINGTON (COMAPNY)]:
Alexander Hamilton...

(Alexander Hamilton)

I have soldiers In the fields for you

If we manage to get this right, they'll surrender by early light!

The world will never be the same!

{Transition to Yorktown (The World Turned Upside Down)}

[COMPANY]:

The world turned upside down!

{Transition to: Non-Stop}

[ELIZA]:

Look around! Isn't this enough?

[ANGELICA]:
He will never be satisfied

[ELIZA]:
What would be enough?

[ELIZA AND ANGELICA]:
He will never be satisfied, satisfied, satisfied

[GEORGE WASHINGTON]:
History has its eyes on you!

[AARON BURR]:
Why do you assume you're the smartest in the room?

Why do you assume you're the smartest in the room?

Why do you assume you're the smartest in the room?

Soon that attitude may be your doom!

[ELIZA]:
Look around, look around!

[ENSEMBLE]:
Non-Stop!

[ANGELICA]:
He will never be satisfied!

[ELIZA]:
Isn't this enough?

[AARON BURR AND ENSEMBLE]:
Why do you fight like you're running out of time?

[ELIZA]:
Why do you fight like-

[COMPANY (EXCEPT FOR HAMILTON)]:
History has its eyes on you!

{Transition to: What'd I Miss}

[THOMAS JEFFERSON]:
What's I miss? {Aah-oo!}

{Transition to: Cabinet Battle 1}

[ALEXANDER HAMILTON]:
Thomas, that was a real nice declaration
Welcome to the present we're running a real nation
Would you like to join us, or stay mellow
Doing whatever the hell it is you do in Monticello?

{Transition to: Take a Break}

[ELIZA]:
Take a break and get away!

[ANGELICA]:
Run away with us for the summer let's go upstate

[ELIZA]:
Where we can stay!

[ANGELICA]:
We can all go stay with our father!

[ELIZA]:
Look around, look around!

[ANGELICA]:
If you take your time-

[ELIZA]:
At how lucky we are to be alive right now!

[ANGELICA AND ELIZA]:
Close your eyes and dream,you can go when the light gets dark!

Don't say no!

{Transition to: Say No to This}

[ALEXANDER HAMILTON (MARIA REYNOLDS)]:
Show me how to say no this this, how, can I say no to this?
There is nowhere I can go! (Helpless!)
When her body's on mine I do not say no!

{Transition to: The Room Where it Happens}

[AARON BURR AND ENSEMBLE]:
No one else was in the room where it happened, the room where it happened, the room where it happened
My god!
In god we trust, but we'll never really know what got discussed. Click- boom!
Then it happened!
But no one else was in the room where it happened

{Transition to: Washington on Your Side}

[THOMAS JEFFERSON, JAMES MADISON, AND AARON BURR]:
It must be nice, it must be nice, to have Washington on your side!
Washington on your side!
Washington on your side!
Washington on your side!
Washington on your side!

{Transition to: One Last Time}

[GEORGE WASHINGTON (COMPANY)]:
History has its eyes on you! (George Washington's going home!)
I'm going home!

{Transition to: We Know}

[AARON BURR]:
We both know what we know!

{Transition to: Hurricane}

[ALEXANDER HAMILTON]:
I'll write my way out!

{Transition to: The Reynolds Pamphlet}

[THOMAS JEFFERSON, JAMES MADISON, AARON BURR]:
Alexander Hamilton has a torrid affair and he wrote it down right there!

[JAMES MADISON]:
Highlights!

{Transition In and Out of: The Reynolds Pamphlet, and Burn}

[ANGELICA (ELIZA)]:
I know my sister like I know my own mind, you will never find anyone as trusting or as kind!

(I'm erasing myself from the narrative!)

I love my sister more than anything in this life

(Let future historians wonder how Eliza reacted when you broke her heart!)

I will choose her happiness over mine, every time!

Put what we had aside, I'm standing at her side, you could never be satisfied, god I hope you're satisfied!

( Watching it burn!)

{Transition to: Blow Us All Away}

[COMPANY]:
One, two, three, four, five, six, seven-!

(Gunshot)

{Transition to: It's Quiet Uptown}

[ELIZA]:
It's quiet uptown....

[COMPANY]:
Forgiveness....

Can you imagine?

Forgiveness? Can you imagine?

If you see him in the street, walking by her side, talking by her side, have pity... they are going through the unimaginable

{Transition to: The World Was Wide Enough}

[AARON BURR]:
Now I'm the villain in your history

[ALEXANDER HAMILTON]:
I imagine death so much it feels more like a memory

[AARON BURR (COMPANY)]:
I was too young and blind to see...

(One, two, three, four, five, six, seven, eight, nine!)

[ANGELICA]:
This is where it gets me

[AARON BURR]:
I should've known

[ALEXANDER HAMILTON]:
I've got to throw away my shot, I'll surely be seeing you on the other side..

{Transition to: Who Lives, Who Dies, Who Tells Your Story}

[ELIZA]:
Will they tell your story?

[COMPANY]:
Who lives, who dies, who tells your story?

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